Your window into peoples' souls... how it all starts.
In this section you will learn about:
How does Mojo Reading Work?
Five Gears of Mojo Reading
Getting your Mojo Read
How does Mojo Reading work in the simplest terms?
Mojo Reading can be and often is extremely complex and nuanced and it is a study that you'll be doing for the rest of your life. In fact, you'll want to make it a study for the rest of your life because of the incredible benefits that it provides to you in just about every conceivable way, from the material to the metaphysical. This can sound daunting so it helps to have an introduction to how Mojo Reading works with a basic understanding of how it relates to other humans, thereby making it universal. In a nutshell, the psyche is configured a certain way based on a great many mathematical factors that only allow for Sixteen Basic Design Configurations. These designs of the psyche animate everything that humans do, and thus give off qualia specific physiological cues.
Major Zones of the face
First, we’ll start with noting the qualia specific physiological cues in the major zones of the face: Namely, the Eyes, the Cheeks, and the Mouth. The Perception Powers (what you use to get information) and the Discernment Powers (what you use to make decisions) affect what kind of eyes and mouth you have, what they do, and what kind of signals they give off as they do so. A very simple breakdown is:
· The Perception powers manifest most in the eyes.
· The Values-Based Discernments manifest most in the mouth with emoting.
· The Logic-Based Discernments manifest most in the cheeks with neutralizing.
The voice itself and every note it makes is affected by the Cognitive Configuration of the person as well. Everything the voice does is the psyche pressing energy through the vocal chords, the same way you would think of air going through a trumpet. The trumpeter gives itself away by the unique style by which it crafts each note and sets of notes. It should be clear to distinguish between two instruments; each could play the 'same song', but the artistry of each individual instrument player with their instrument of sound (which in this analogy is an extension of them) can profoundly differ. All humans can play music, but they will not play it the same or with the same instrument.
Figure 1: Major Zones of the Face.
Eye Zone Cues
Eyes indicate how one prefers to take in information, showing which Perception Power most stimulates the person. There are four kinds of Mojo eyes in the human species:
· Dancing Eyes for Nyy Mojos. Nyy Mojos include Nyy’xai, Nyy’zai, Xai’nyy, Zai’nyy.
· Laser Eyes for Vyy Mojos. Vyy Mojos include Vyy’xai, Vyy’zai, Xai’vyy, Zai’vyy.
· Cunning Eyes for Nai Mojos. Nai Mojos include Nai’xyy, Nai’zyy, Xyy’nai, Zyy’nai.
· Prepared Eyes for Vai Mojos. Vai Mojos include Vai’xyy, Vai’zyy, Xyy’vai, Zyy’vai.
You can also determine whether one is Interpretive (abstract, pattern-based) or Literal (concrete, detail-based); those with Dancing and Cunning eyes indicate an individual who gains Momentum while using an Interpretive Perception Power, while Laser and Prepared eyes indicate an individual who prefers a Literal Perception Power.
Eyes also indicate whether someone is Adaptive (right-psyche dominant, preferring freeform) or Directive (left-psyche dominant, preferring structure). If you can read that a person’s eyes are Vyy (Laser) or Nyy (Dancing) you are also reading that they are Adaptive. Conversely, if you can read a person’s eyes are Vai (Prepared) or Nai (Cunning) you are also reading that they are Directive.
Objectives (oriented toward the external environment) and Subjectives (oriented toward the inner world of the psyche) appear different, even if they share the same Perception Power in a different sequence. Subjectives have a Hooded look to their eyes, while Objectives appear Unhooded. It is easiest to understand these terms when you look at them in contrast to each other, which you can do with the data samples provided.
Figure 2: Perception Eyes.
Examples depicted (top row): Nyy’xai, Zai’nyy, Vyy’zai, and Xai’vyy. (bottom row): Nai’xyy, Zyy’nai, Vai’zyy, and Xyy’vai.
Head, Shoulders, Gestures, Carriage, Stance, and Gait
The way the head moves also gives off cues. Everything your head is doing right now as you’re reading this book, whether you’re holding it still or whether you’re moving around, it doesn’t matter; it relates to how you’re wired. Additionally, the gestures of your arms and hands, the carriage of your upper body, your entire posture, stance, and walking stride, all have tremendous bearing on your cognitive configuration.
There really is no period of time that you are not using your psyche in some way, and even in repose, this cognitive activity is affecting your physiology. Even when you are fully asleep, your psyche is still doing its natural processes and still has the innate design that it has when waking; it’s just doing processes while asleep. Those processes still show on the face because you are having dreams based on the design you have. Right there you see the wonderful inescapability of your true nature! Your true nature shows in everything you do, so if you are properly trained, there is no way to mistake it because it is always present. This is how we are able to get reads from a very small amount of information, sometimes partial face, from behind, voice only, or just seeing a person’s wrist and being able to note if they are a Directive or Adaptive. These are much more difficult, but possible, because one’s nature is exuding itself in everything. It’s bursting out, it inherently desires to do so. The body is there to do what its Mojo nature wants it to do.
That is related to the individual. However, concerning the human species more generally, all humans are doing this, so all humans have an innate nature that is manifesting in everything they do. Their Cognitive Configuration will keep showing itself and showing itself, so if you look for their eyes to do a certain thing, once you’ve identified that, you’ve seen it, and they will keep repeating it. If you get your work wrong, you can correct it later on because every time you go back and look at a sample from any of its manifestations it should constantly be exuding cues that come from a given design. If not, then that is a problem. This math is inescapable to the individual person and universally applicable to all humans.
Mouth Zone Cues